As I went down to the river to pray
Studying about that good old way
And Who will wear the starry crown
Good Lord, show me the way.
I first heard this song as the last track on Gillian Welch’s iconic folk album “Revival.” It’s simplicity of line and lyric resonated with me. I could tell it was reaching deeply into the felt language of conversion, renewal, and the personal clinging to divine hope placed in a holy other. For all the world, I thought I had stumbled onto a track that few had heard and experienced. We roots music folks are susceptible to that given our tastes appeal to a narrow swath of a certain musical vein. (As I have shared before, Lisa does not travel that path; so I saw Kristofferson alone last week and will experience my beloved Lucinda the same way next.) But then came “O Brother Where Art Thou.” In the classic siren scene where Delmar became affiliated, there it was for all to hear. Only this time it was Allison Krauss doing the honors. The visceral experience of the song was no longer reserved for me and my ilk. Turns out it never was.
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